Matthew Dear

Matthew Dear presents Audion, in a shipping container of LED triangles

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At this point I have no idea when this show is going to start, but it’s 9:22 and there’s another loner type rubbing the wood grain pillar in the middle of Mighty. He’s got his hood up as if keeping a low-profile, but
blowing it otherwise. It looks like he took the wrong drugs, slowing down when he might want to speed up. Because at this point in the evening, with some crew members apparently still wiring up the massive amount of lights on stage, he might be in for a wait.Read more »

Libertine dream

Todd Trexler's iconic '70s nightlife posters return. Plus: Hardkiss Brothers, Kafana Balkan, Brown Sugar, Toph One, more parties

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marke@sfbg.com

SUPER EGO One of my supreme happy places, apparently, turned out to be the packed dancefloor of an underground fundraiser for Radical Faerie Burning Man camp Comfort and Joy, right around 3am a couple Fridays ago, when the drag queen DJ dropped "Rock the Casbah" and some behooded elfin rogue's giant LED rainbow wings lit up and blinded me. Joe Strummer smiles from heaven, surely.Read more »

Noise Pop Roundup 3: Flaming Lips, Veronica Falls, Matthew Dear, Archers of Loaf

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MVP for Noise Pop coverage this year goes to Ryan Prendiville. See below to find out why – Ed.

TUESDAY: The Flaming Lips at Bimbo's

Time, for the Flaming Lips, is important. Because as a band — one that has been through all sorts of well documented shit — the Flaming Lips know the value of time (particularly borrowed) and have made it their work to not just create music but get into the complete manufacture of moments. Which is a tricky business, because moments are bastards.

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