Whether your caffeinated allegiances lie with Blue Bottle, Four Barrel, or a non-coffee drink, CoffeeCon San Francisco offered something to appeal to everyone’s cravings on July 26. Venturing out of Chicago for the first time, the consumer coffee festival boasted a multitude of roasters — many of them local and therefore well-acquainted with using glorious Hetch Hetchy water in the brewing process — and a wide variety of presentations to intrigue both casual coffee drinkers and connoisseurs. Plus, unlimited coffee samples!
If Instagram is anything to go by (read: it’s not), anyone can make a short film — just slap a filter on it and call it a day! Thankfully, the protagonists in Anywhere Else and Swim Little Fish Swim, two films featured in the 38th annual San Francisco Jewish Film Festival, work on creative projects that can pull their own weight — sans filters — even if the length exceeds 15 seconds from the sidelines. Short DIY clips, not integral to the plotlines, are interspersed throughout of each film and are a breath of fresh air, even if the overall film itself is a hit or a miss.
“We stopped checking for monsters under our beds when we realized they were inside us,” reads a quote often misattributed to the Joker in 2008’s The Dark Knight. The presenters at July 14’s "BAASICS.5: Monsters" event at ODC Theater capitalized on this concept, examining both modern monsters (though not “cars and corn syrup,” as one emcee mentioned at the beginning of the event) and monsters of yore.
In past years, the organization has explored provocative topics such as the future (more weighted toward a possible uprising of robots rather than the nagging question “What am I going to do with my life?”) and psychiatric and neurologic disorders by juxtaposing science and art. It’s easy to find the right balance between the two for these past themes, but I wasn’t quite sure what to expect from this year’s event.
From an abundance of flamingo decorations to the sight of skateboarders with a penchant for performing dangerous acrobatics off stage barricades, July 12's Phono del Sol — the hometown pride-filled music festival thrown with a new level of fervor each year by the Bay Bridged at Potrero del Sol Park — showcased a variety of genres and kept the musical midsummer blues at bay.
“I would get the comment ‘Gosh, you play really good for a girl,’” Barbara Borden admits in the introduction of Keeper of the Beat, which chronicles her lifelong passion for drumming. The documentary, by San Francisco's David L. Brown, airs Sun/6 on KQED.
The Always brand's empowering #LikeAGirl ad campaign made the rounds on the internet this week, but Borden’s musical sojourn, discouraged for a female at the time, is decidedly more inspiring (especially since it’s delivered by a badass drummer and not a corporation).
You probably won’t win any staring contests inside the new Madame Tussauds that opened June 26 at Fisherman’s Wharf. (Besides, I wouldn’t recommend holding prolonged eye contact with any of the wax figures, especially the Nicolas Cage one.) Like the youngest sibling in the shadow of brothers and sisters who have already established themselves, the SF branch — the fifth North American branch — tries to make a name for itself by flaunting its individuality whenever it’s convenient. Its attempt showcases eerily lifelike figures of well-known San Franciscans in themed rooms.
Sexy granny panties? Up-and-coming San Francisco comedy troupe Granny Cart Gangstas recently proved this isn’t an oxymoron. Taking a cue from the Kids in the Hall — one of member Ava Tong’s biggest inspirations — who were once photographed wearing bras over suits, the troupe decided to do something similar (one member flaunted a pair of leopard-print granny panties) for a photo shoot ahead of its Sat/28 show, "No Happy Endings," at SF's Little Boxes Theater.